About Bruised Orange

About Bruised Orange

Bruised Orange, is a John Prine Tribute band based in Navan, Co Meath comprising seasoned musicians with vast experience in the music business and an admiration and affection for John Prine. ​
Boasting four of Meath’s most experienced gigging musicians the quartet is made up of Michael ‘Mike Mack’ McGarry (Rhythm Guitar & Vocals), Anthony Toby Cregan (Lead Guitar, Vocals), Derek Matthews (Bass & Vocals) and Shay Carry (Percussion). Each member brings a unique set of talents and abilities to the group which provides for a unique live John Prine experience.
The show is fronted by Mike Mack McGarry who accurately reflects Johns vocal range with a similar ease of delivery, an affected twang and drawl; which thrive off a peculiar, domestic relation to country, folk, rhythm and blues. His storey telling and short antidotes are also a testament to a Bruised Orange live show,
Lead guitarist Anthony Toby Cregan is one of Irelands most revered guitarists, His style and playing reflects that of Jason Wilbur, Prines go to guy from the early 1990’s up until Johns death. Bassist Derek Matthews is known from one of Irelands top wedding bands ‘Stop the Clock’. His double bass and look again reflects that of Prines bass man Dave Jacques. Drummer Shay Carry is the backbone of the band with his unique style. Shay has toured with some of Irelands top country artists such as Gerry Guthrie, Mary Black, Lee Matthews and Shane Owens to name but a few.

About John Prine



John Prine started playing in a small club in Chicago called the Fifth Peg, and was luckily noticed by a famous movie critic, Roger Ebert which ultimately ignited his career. Ebert wrote a glowing review—“Singing Mailman Who Delivers a Powerful Message in a Few Words”—that appeared in the Chicago Sun-Times, October 9th, 1970, a day before John Prine’s 24th
birthday. It was the first review Prine ever received, a birthday gift in the papers. For Ebert, Prine was “sneaky good”: “He appears on stage with such modesty he almost seems to be backing into the spotlight. He sings rather quietly, and his guitar work is good, but he doesn’t show off. He starts slow but after a song or two, even the drunks in the room begin to listen to his lyrics. And then he has you.” The crowds kept coming back to hear Prine, who signed on to play every Friday, Saturday and Sunday, striking a chord somewhere between country, rock, and folk that sounded pretty good to most.
His stories about playing hank Williams songs for his daddy, while he sat at the kitchen table brought back familiar memories of mine also as a boy. I started listening to all his songs while working late at night, and every couple of days a new song would come on and just blow me away completely. The first was Hello in there. How a guy of just 20 years of age could write something so deep about something that he should not be able to relate to was unbelievable to me. It’s a simple melody with a painful ode to a plaintive retiree and his wife Loretta, who sit around with “nothing much to do;” the last verse serves as a soft injunction to everyone: “So if you’re walking down the street sometime and spot some hollow ancient eyes, please don’t just pass ‘em by and stare as if you didn’t care, say, ‘Hello in there, hello’.

Our promo

Video showcase

Here is a short video promo of a number of John’s songs. Recorded in Crookedwood Studio in Slane by Mark Cahill and videography by Aidan Farrelly at Bad Apple Films

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